Sharing Notes With Shreya

Author: Dr. Mandar V. Bichu

As soon as the MMI-event PR-person introduces me to her, Shreya Ghoshal exclaims, “Oh, but we have already spoken before! Wasn’t that about the Fareb-song?” I am pleasantly surprised by her memory recall because that telephonic conversation was almost three months back. With her pleasant nature and typically Bengali good looks, Shreya totally bowls me over. This slender, dusky singer who in her sweet melodious voice has been regularly belting hits like Bairi Piya, Jaadu Hai Nasha Hai and Kiska Hai Yeh Tumko Intezar is very candid and eloquent about her career and state of contemporary music. Long after the formal interview gets over, we keep chatting about past, present and future of Hindi film music. Here are the excerpts of this conversation.

What do you feel when superb songs like Teri Aankhon Se (Dhoop) and Suna Suna (Krishna Cottage) don’t get noticed, thanks to flop movies?

Obviously as an artiste you get disappointed when a good song is not appreciated for reasons other than music. For example, I don’t think a good album like Dhoop got its due. It had nice numbers and even the presence of Jagjit Singh. The album wasn’t promoted well and as a result, lost out. But it feels nice when knowledgeable listeners remember such forgotten songs and compliment about them!
 
What is your approach while singing on stage?
 
On stage, I am not really looking for the perfect execution of the song- it is more tuned to connect with audience. The onus is on impromptu improvisation according to the audience response. The attempt is to cast a spell- or rather attempt to cast a spell on the audience and get their applause. I just prefer to go with the flow of the song on stage.
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